Wednesday, June 27, 2007

Painting: "Lupine's Dance"


Sugar Hill is one of several NH towns to celebrate the annual Lupine Festival. Each year hundreds of people travel to the quaint village north of Franconia Notch, to take in the beautiful views of the surrounding White Mountains, and walk among the fields of lavender and pink lupine blooming in the foreground. I was thrilled to have the chance to travel to Sugar Hill, a week ago Friday, to join two other members of NHPleinair, for a day of painting on location. What a beautiful day!
(That painting is not quite complete, but I hope to have it posted soon.)

This is also the time of year when lupine bloom along the road sides and small clearings throughout the north country. Because of the cooler climate, Pittsburg's lupine are a little behind the rest, but well worth the wait.

In anticipation of the festival at Sugar Hill, I searched back through my archives of photographs, and came across an image I had taken last year...of a glowing patch of lupine growing along Rte 3, to the northern end of town. "Lupine's Dance" is a just a fun little 8x10 oil painting, created in the celebration of their return.

Price & Description

Painting: "Autumn's Retreat"


Last fall, several members of NHPleinair traveled to The Balsam's in Dixville Notch, to participate in a workshop given by renowned artist Peter Granucci. It was a pleasure to be among the students who participated in the week-end long event, and I so enjoyed having the opportunity to be a "day tripper", traveling over to the Balsams from Pittsburg. It was a chance to learn from one of the best, while indulging in the luxurious surroundings and tasty cuisine known only to the Balsams.
All I can say is...what a week-end!

Fall, however, can be quite the jokester in its attempt to be unpredictable. We arrived on Thursday to warm sun, and brilliantly colored landscapes, only to be blessed with the first snow of the season by early Saturday morning. The raw temperatures kept many of us painting indoors, with our easels set before the large windows facing the mountainous views. We had to search for hints of orange and red peeking from beneath the white blanket, which now covered what was the last of the autumn foliage. But, even still, we came away with beautiful images of one season escaping, while the next one arrived.

"Autumn's Retreat" is a view from one of those windows, looking west toward Rte. 26. The quiet peacefulness of the empty bench, and the last remnants of the orange leaves clinging to the trees, influenced my decision on the title. Of course, The Balsams is a wonderful retreat, no matter the season, or the unpredictability of the weather.

Price & Description

Painting: "Prelude to Ice Out"


There is a time, right before Spring arrives, when winter temperatures hover and refuse to let go. It's a time when we anticipate the changes yet to come, and anxiously watch for signs of the new season.

During this short fleeting time, mother nature creates a wonder of color, and sends floating geometric shapes crashing together between the widening edges of the emerging shoreline and the slate blue ice of the frozen lakes. Winter's remnants crack and moan, pressed to non-existence by swirling spring winds and the warming sun.

"Prelude to Ice Out" is a view of this special wonder, as seen along the edge of Lake Francis, from the top of Murphy Dam, in Pittsburg, NH.

Price & Description

Painting: "Apples & Grapes"


Sometimes, it's just necessary to try something new and different. This small piece, titled "Apples & Grapes", was a subtle exercise in change. It's the first oil painting I've completed on a canvas measuring only 5" x 7". The limited size was indeed an interesting exercise in creating a balanced composition on such a small scale. But, I also found it a release to size down my expectations, and create this one "just for fun".

Price & Description

Sunday, June 3, 2007

The White Mountains: Then & Now

Introduction to a Historical Series on the White Mountains

My trip to the Bartlett area last year sparked my curiosity about the history of the White Mountain region, the Grand Hotels that once loomed admidst the landscape, and the artists who were an integral part of recording the images of the time.

I've been doing some research over the past year, while exploring different landmarks of the area myself. In my search for information, I've discovered some interesting "connections" and facts that I have found intriguing and worthy of mention.

Over the next several months (perhaps longer) I plan to write a series of articles reflecting on those topics as they relate to each other, while connecting the past to our world of today. To organize the articles in some form of reasonable order, I've decided to begin the series with the subjects located nearest No. Conway, and then proceed north to Jackson & Pinkham Notch, west through Bartlett & Crawford Notch, north to Jefferson, west through Whitefield, south to Littleton, Bethlehem & Franconia, south through Franconia Notch, to Woodstock & Lincoln, and east returning to Conway.
It is a loop referred to as the Multi-Notch Mountain Loop, and is similar to the regional order presented in the White Mountain Artists Exhibition, still on display at the NH Museum of History, in Concord.

There is much to write about, with much to explore. I have several topics of interest to investigate as I begin this journey, interweaving tidbits of historical mystery, with the many artistic contributions from our past and present.

Artist's Week-end in Bartlett

The weather in May is always unpredictable, and there was no exception to the norm from May 17th to the 20th. The days prior were hot, and the days following were hotter. But the stubborn, cool temps. and a steady drizzle clung to that particular week-end, as if spring was trying to get even with the encroaching summer. Luckily, the damp weather did not dampen our creative spirits!

I was one of several artists from New England, attending the artist's week-end in Bartlett, NH. This was the second time I'd traveled to the area to indulge in some plein air painting, and to enjoy the company of several other creative peers. Aside from the damp weather, the trip was, again, a fun learning experience and a perfect opportunity to practice painting on location. It was so nice to have had the opportunity to see some familiar faces, and to have met several others who share my love for art.

Our hosts Miriam and Nick, owners of the Bartlett Inn, did a wonderful job of making all of us feel welcome and at home. They prepared an excellent breakfast each morning, and were more than supportive of our painting efforts, as they let us take over the Inn's living room with our renditions of the area's scenic locations.

Byron Carr gave two demonstrations, one in oil and one in watercolor. He did an excellent job in demonstrating his "free spirited" technique, entertaining us with his wonderful talent and quick sense of humor. Miriam and Nick winced only once or twice, as they jokingly commented that flying paint was no problem...they would be repainting and remodeling soon.

Sharon Allen, moderator of NHPleinair, also helped to coordinate the week-end by posting the event to the yahoo groups web site.

It was again a pleasure to have been part of the event. I so much enjoyed meeting with and talking to all those who attended. My thanks to those who offered their support, painting tips and marketing info., and for the great artistic company. A special thanks to fellow Pittsburg artists, Cindy and Deb, for making the trip with me. I'm already looking forward to a return visit....rain or shine!

"Lower Falls", Kancamagus Highway


This was one of the paintings I was able to complete on my recent trip to Bartlett, NH. A sheltered picnic table near the fast flowing river, was a great location to paint, as we attempted to keep dry. Roaring rapids from the rains, and the many rock formations created several interesting, yet challenging, compositions. The rain and cold temperatures probably helped to emphasize the loose brush strokes and impressionistic style of this painting, which is actually quite different than most of the paintings I've completed in studio. I've found that I paint a whole lot faster when it's cold!

"Lower Falls", Kancamagus Highway, Albany, NH.
Plein Air Painting
9 x 12 Canvas, mounted on maple panel
Framed: $200.00

Mattie Coolidge Crawford: A Pre-History

Introduction
Mattie Coolidge Crawford was indeed an interesting and admirable woman. As mentioned in my previous articles about Old Home Crawford, I have been reading the biographical book titled “Your Grandmother, A Memoir of Mattie Coolidge Crawford”, written and privately printed in 1945 by her husband Fred E.Crawford. This book about her life, her work as an artist, and her continued devotion to her family and community is more than inspirational.

In this post, I begin a series of articles to be written about Mattie, her family, and the Crawfords. It is my intention to provide inspiration and facts as I have found them, giving credit to the memoirs as written by Fred Crawford. I welcome additional information, and incite from anyone who can contribute to her story. Please also feel free to offer corrections if warranted. I hope you will enjoy seeing some of her beautiful paintings, and reading about her life’s work and accomplishments.

An Ancestral History
To describe someone in depth, it is important to know their history. Where did they come from? Who were their ancestors? What contributed to their becoming the person they turned out to be? We begin with a look at the history leading up to the birth of Mattie Coolidge Crawford.

Mattie Sturtevant Coolidge was born June 4, 1861, in Watertown, MA. She was the daughter of John Coolidge and Martha Jane Sturtevant.

Nine generations before, in 1630, a young family crossed the Altantic Ocean from Cottenham, England. John and Mary Coolidge came to Watertown with their eldest son John, and the family has since earned a highly regarded reputation for their notable accomplishments.


John and Mary lived in Watertown for 60 years, during which time John became one of the founders of the town, and held town office for several years, serving as selectmen, and on various committees or commissions. He was also a deputy to the Great and General Court, today known as the Legislature. John and Mary passed away in May and August of 1691, and are buried in "the old burial ground", as referenced in Fred Crawford's book.

John and Mary had eight children, many of whom moved to other areas of the country. However, the branch of the family from which Mattie Coolidge was descended, remained in Watertown, living within three-quarters of a mile from the original Coolidge homestead.

Joseph Coolidge was of the fifth generation descended from John and Mary, and was also a public spirited man. In 1775, he held the town office of Collector of Taxes.

On the morning of April 19th, 1775, Joseph was plowing one of his fields, when an unknown man named Paul Revere approached to tell him the British soldiers had crossed the Charles River, from Boston to Cambridge, and headed to Lexington & Concord. Hearing the news, Joseph quickly drove his oxen to stable, grabbed his gun and ammunition, and instructed his wife Eunice to bury the town's money.

He went to the Watertown Village, where other Minute Men had gathered. Ranking Officer, General Heath, directed Joseph to guide the men from Natick on to Lexington, while the Watertown men were sent to the bridge at Boylston Str. in Cambridge.

Joseph and the men from Natick reached Lexington as the Redcoats were returning from Concord. Late that afternoon, Joseph was killed during the battle that ensued near East Lexington. He was the only man from Watertown killed in that famous battle, leaving behind his widow Eunice, and their seven small children.


John Coolidge , aka Deacon John, was born Oct. 5, 1796, and was the grandson of Joseph. He had for many years lived in the same house that Joseph left on that fatal day. In the late 1840's John built and moved into a larger house on the other side of Grove Str.
(It is interesting to note at this point that a young Harry Crawford, worked for Deacon John Coolidge for a time. Harry was Fred E. Crawford's brother, the author of the memoirs that have been an inspiration for this series of articles. Harry later joined the 49er's and went to California. Which I'm sure is a story all unto itself!)

Deacon John married Mary Stone Bond, and it was their son, John Coolidge, Jr., and his wife Martha Jane Sturtevant from Oakland, Maine, who would become the parents of Mattie Coolidge.

It is also of interest to mention that President John Calvin Coolidge was of the ninth generation descended from the original immigrants John and Mary Coolidge. His lineage, however, follows a different line of descendants, beginning with Simon, brother to the little boy John, who accompanied his parents to America.


Please stay tuned for my next article titled "Mattie Coolidge Crawford: The Beginning."